Mami Kataoka, the acclaimed Chief Curator at the Mori Art Museum (MAM) in Tokyo, is the first curator from Asia to be appointed as Artistic Director of the Biennale of Sydney. No stranger to Australia (having been one of thirteen eminent international advisors to this year´s 20th edition and with strong connections to local curators and artists), Ms. Kataoka is a key figure in analysing socio-historical and generational trends within Japanese and Asian art.
Ms. Kataoka is renowned internationally for her curatorial practice, having engaged in many projects including ´ROUNDTABLE: 9th Gwangju Biennale´ (2012) as co-artistic director and guest curator of ´Phantoms of Asia: Contemporary Awakens the Past` (2012) at the Asian Art Museum, San Francisco. Ms. Kataoka also curated ´Ai Weiwei: According to What?` (2012) at the Hirshhorn Museum and Sculpture Garden, Washington DC, which toured to several other North American venues.
Kate Mills, Biennale of Sydney Chairman, says: “We are delighted with Mami Kataoka´s appointment as Artistic Director of the 21st Biennale of Sydney. As one of the region´s most accomplished curators, Mami will bring a truly fresh perspective and an Asian sensibility to the exhibition in 2018, enabling Biennale artists and audiences to explore in greater depth our relationship with the Asia Pacific region and challenge conventional wisdoms.”
Mami Kataoka says: “I am honoured to be appointed Artistic Director of the 21st Biennale of Sydney in 2018, especially being the first from Asia since the Biennale´s inauguration in 1973; this means a lot to me and hopefully to the region. I am especially interested in the role that the Biennale has played in bringing international contemporary art, artists and art curators to Australia for more than 40 years. Australia and the city of Sydney are multicultural, with a number of contemporary art institutions active internationally. As Artistic Director I am interested to ask how we can test the Biennale´s significance given the growing understanding of multiple modernities; the many socio-political contexts and accelerated complexities in the world conditions today. I am thrilled to work together with great artists from Australia and around the world for the coming Biennale to find ways to engage in depth with its history, diverse communities and contexts.
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