The Bayer Collection is among the oldest art collections in Germany. Conceived as a educational facility for company employees in the early 20th century, it now includes around 2,000 works. Although the list of works does not have the character of a systematic encyclopaedic index, it actually reads like a who's who of the 20th and 21st centuries. It includes works by the great expressionists like Beckmann, Kirchner and Pechstein as well graphics and paintings by Pablo Picasso, Sam Francis, Miró, Gerhard Richter, Andy Warhol, Andreas Gursky, Imi Knoebel and young Ars Viva Prize winners.
With over 240 works from 89 artists this exhibition presents a piece of art and company history. To mark the company's 150th anniversary the collection is to be shown in public for the first time.
The collection can be roughly divided into four art-historical areas. It presented German Expressionism with works by Max Beckmann, Ernst Ludwig Kirchner, Emil Nolde, Max Pechstein and Karl Schmidt-Rottluff. The Modernism of the École de Paris – this covers the entire Paris art scene at the beginning of the 20th centuries – represented by works by the artists George Braque, Marc Chagall, Joan Miró and Pablo Picasso. Representing post-war and informal art the collection includes artwork by Ernst Wilhelm Nay. With his free and spontaneous drawings and his intuitive use of colour this participant of the 2nd and 3rd "documenta" occupies a key position in German post-war art. The main focus is on art produced between the 1970s and today. It is in this context that the collection takes in the works by American West Coast artists like David Hockney, Sam Francis and Ed Ruscha. On display also are canvasses from German artists Gerhard Richter, Albert Oehlen, Martin Kippenberger, Jan Voss as well as photographic works by Candida Höfer and the large format polaroids of Marina Abramovic and Ulvi Ulay.
Figuren - Rineke Dijkstra und die Sammlung des Sprengel Museum Hannover
»Stephen Gill. Vom Dokument zum Experiment«
PROJEKTIONEN - FACETTEN DER ERINNERUNG
ÜBER_LEBEN niemand mischt sich ein | zufallsindoktrinator # 147
Ulrich Horndash - Veduta 4
Irene Kopelman. ON GLACIERS AND AVALANCHES. GLAZIOLOGISCHE SPURENLESE
Ruinart und die Kunst
Kocheisen+Hullmann: Zwischenblüte ambitionierter Metamorphosen
Alex Da Corte THE SUPƎRMAN
Der Begriff Erinnerung in Texten zur zeitgenössischen Kunst
Der Begriff - lernen - in Texten zur zeitgenössischen Kunst
The Beauty of Hunting. Einblicke in die Ästhetische Ethnologie
Matthias Wollgast THE STEPS WITH NO NAME
ADKV-ART COLOGNE-Preis für Kunstkritik an Radek Krolczyk
Marina Abramović - The Cleaner
Edwin Zwakman - Reality is not a Place
Douglas Gordon "k.364"
Haegue Yang ETA 1994–2018
European Media Art Festival Report - Notizen aus der Wirklichkeit